It was a discouraging week and I haven’t had the will to make sense of it. But there are three issues that are of real concern.
First, there were no Republicans (as far as I could tell) who honored their oath to defend the Constitution. Trump’s invocation of the Alien Enemies Act was cluttered with all sorts of questions: Has the US been invaded by a state? Were all those who were deported really members of a gang? And why do the Republicans simply say that Trump was elected to get rid of people despite the guarantees demanded by the Constitution? And did Trump really sign the proclamation? Or is he so senile that he cannot remember?
Second, the Netanyahu government is clearly conducting ethnic cleansing in the Gaza Strip. Why else would Israel continue aerial bombardments and deny the introduction of necessary food, water, and medicine? It has become clear that many Palestinians are refusing to leave the Strip despite the horrific conditions because they fear a second Nakba. So, Israel will simply continue to punish those who remain in hopes that Palestinian resolve can be crushed. Israel will claim that the surviving Palestinians in the Gaza are going to leave the Gaza “voluntarily”. As I have stated before, this is a war of conquest, not a war of self-defense.
Third, Trump has extorted Columbia University to submit to intolerable conditions, including placing one of its Departments into receivership. It’s not clear to me that the Columbia campus is a hotbed of antisemitism (Columbia continues to attract Jewish students who comprise 20% of the student body–the highest percentage in the Ivies) or that Trump understands what antisemitism is or that he even cares. The capitulation of the University to crime gang tactics is a horrible lesson for higher education in the US. And the effect on free speech is catastrophic. Roy Cohn is watching (from hell) his star pupil conduct a witch hunt of historic measure.
So, I retreat into music. I can think about these matters for a period of time, and then I simply have to turn it all off. I am more convinced than ever that Trump’s term in office will not extend to 4 years (at some point the Republican Party will have to realize that it is digging its own grave). But waiting for the corrupt house of cards collapse is draining. The first three songs are done by Playing for Change. I played one of these songs in my lecture on globalization when I taught World Politics. I explained that globalization had all sorts of problems, but also some extraordinary opportunities. To choreograph these songs in a manner that compressed time and space was an important insight. Until the very recent past, such an enterprise was impossible. But Playing for Change was able to take simple songs and to unite people from all over the world to send the same message, even though the instruments and the language were all different. More importantly, Playing for Change was able to prove that there are brilliant artists who work the streets every day, and that the glitter and rouge of pop culture is nothing more than a very unfortunate distraction from the real meaning of music.
Tomorrow is the 200th anniversary of the first performance of Beethoven’s 9th Symphony. I count myself as one of the multitude who regard this piece as one of the greatest in Western classical music. Despite the loss of much of his hearing, Beethoven was one of the conductors to this premiere. The Symphony was genuinely revolutionary, not only for the 4th movement which used the poem “Ode to Joy” written by Friedrich von Schiller, but also for its incredible power, unpredictability, and exuberance.
“….he was a deeply political man in the broadest sense of the word. He was concerned with moral behavior and the larger questions of right and wrong affecting all of society. Especially significant for him was freedom of thought and of personal expression, which he associated with the rights and responsibilities of the individual. He would have had no sympathy with the now widely held view of freedom as essentially economic, necessary for the workings of the markets.”
The symphony expresses the heady aspirations of the Enlightenment as it rested upon the vision of the bortherhood of humankind. We seem to be pretty far from realizing that aspiration today, but I remain convinced that that path is the only one remaining if humanity is to survive its recklessness and selfishness.
Friedrich von Schiller, “Ode to Joy” 1785
An die Freude
Freude, schöner Götterfunken, Tochter aus Elysium, Wir betreten feuertrunken, Himmlische, dein Heiligtum! Deine Zauber binden wieder Was die Mode streng geteilt;* Alle Menschen werden Brüder* Wo dein sanfter Flügel weilt.
Wem der große Wurf gelungen Eines Freundes Freund zu sein; Wer ein holdes Weib errungen Mische seinen Jubel ein! Ja, wer auch nur eine Seele Sein nennt auf dem Erdenrund! Und wer’s nie gekonnt, der stehle Weinend sich aus diesem Bund!
Freude trinken alle Wesen An den Brüsten der Natur; Alle Guten, alle Bösen Folgen ihrer Rosenspur. Küsse gab sie uns und Reben, Einen Freund, geprüft im Tod; Wollust ward dem Wurm gegeben und der Cherub steht vor Gott.
Froh, wie seine Sonnen fliegen Durch des Himmels prächt’gen Plan Laufet, Brüder, eure Bahn, Freudig, wie ein Held zum Siegen.
Seid umschlungen, Millionen! Diesen Kuß der ganzen Welt! Brüder, über’m Sternenzelt Muß ein lieber Vater wohnen. Ihr stürzt nieder, Millionen? Ahnest du den Schöpfer, Welt? Such’ ihn über’m Sternenzelt! Über Sternen muß er wohnen!
Ode to Joy
Joy, thou shining spark of God, Daughter of Elysium, With fiery rapture, goddess, We approach thy shrine! Your magic reunites those Whom stern custom has parted;* All men will become brothers* Under your protective wing.
Let the man who has had the fortune To be a helper to his friend, And the man who has won a noble woman, Join in our chorus of jubilation! Yes, even if he holds but one soul As his own in all the world! But let the man who knows nothing of this Steal away alone and in sorrow.
All the world’s creatures draw Draughts of joy from nature; Both the just and the unjust Follow in her gentle footsteps. She gave us kisses and wine And a friend loyal unto death; She gave the joy of life to the lowliest, And to the angels who dwell with God.
Joyous, as His suns speed Through the glorious order of Heaven, Hasten, brothers, on your way Exultant as a knight victorious.
Be embraced, all ye millions! With a kiss for all the world! Brothers, beyond the stars Surely dwells a loving Father. Do you kneel before Him, oh millions? Do you feel the Creator’s presence? Seek Him beyond the stars! He must dwell beyond the stars.[4]
“The West-Eastern Divan Orchestra conducted by Daniel Barenboim performs Beethoven’s Ninth Symphony at the Berlin Philharmonic. It’s supported by singers Angela Denoke, Waltraud Meier, Burkhard Fritz and René Pape. The West-Eastern Divan Orchestra is a very special ensemble: It is made up of young Israeli and Arab musicians and is campaigning for a peaceful solution to the Middle East conflict.
“The West-Eastern Divan Orchestra, which was founded in 1999, gives concerts all over the world. Proceeds from the concert in Berlin went to the Barenboim-Said Academy, which supports musical education programs. The 9th Symphony in D minor op. 125 is the last finished symphony by the composer Ludwig van Beethoven. The work was premiered in Vienna on May 7, 1824 in the presence of Beethoven, who was already completely deaf and was a complete success. The fourth movement is also known as “Ode to Joy” and is one of the most popular songs in the world. Since 1985, the main theme of the last movement has been the official European anthem.
World Politics News 